A FEW MONTHS ago I bought a 1968 Gretsch Cutter. It’s a long story but let’s just say we got a good deal, and Sheryl worked her usual magic to fix it up and get it playable after it sat unused for many years. It’s a single pickup hollow body with all original hardware and it sounds like a choir.
It’s missing the pick guard, and it has the original owner’s Social Security number etched into the back plate. It has a tone unlike any guitar I have ever played and I’m taking it to gigs.
We’ve named her “Stella” after the original owner. We put light gauge strings on her, and she had some intonation issues - shoot, we are about the same age and I have intonation issues too. She’d go out of tune quickly and I’d fight all night to lock her in.
Steve Rees looked her over last weekend and suggested thicker strings. I wondered if the old girl could handle them, but Steve was right as usual, and the tone is even purer coming from the aged wood and chambered body. Stella is staying in tune and I can’t wait to play her more with Cori Lyssy and solo shows, and this Saturday at our store party.
The older the better!